{"id":63546,"date":"2024-09-20T03:00:00","date_gmt":"2024-09-20T00:00:00","guid":{"rendered":"https:\/\/kibrisdakik.com\/?p=63546"},"modified":"2024-09-20T03:00:00","modified_gmt":"2024-09-20T00:00:00","slug":"kasapoglu-cagdas-turk-tiyatrosu-ne-yazik-ki-cok-zorlasti","status":"publish","type":"post","link":"https:\/\/kibrisdakik.com\/?p=63546","title":{"rendered":"Kasapo\u011flu: \u00c7a\u011fda\u015f T\u00fcrk tiyatrosu ne yaz\u0131k ki \u00e7ok zorla\u015ft\u0131"},"content":{"rendered":"

<\/p>\n

\n

G\u00fcnay DEM\u0130RBA\u011e<\/strong><\/p>\n

46 y\u0131l\u0131 a\u015fk\u0131n tiyatro kari\u00adyeriyle T\u00fcrkiye\u2019de sah\u00adne sanatlar\u0131n\u0131n \u00f6nemli isimlerinden biri olan \u00fcnl\u00fc ti\u00adyatro y\u00f6netmeni ve oyuncusu I\u015f\u0131l Kasapo\u011flu\u2019nun sanat ha\u00adyat\u0131 Anlatmadan Yapamam adl\u0131 belgeselde yer ald\u0131. Tiyat\u00adroyu, toplumsal meselelerin derinlemesine i\u015flendi\u011fi bir alan olarak g\u00f6ren sanat\u00e7\u0131, bel\u00adgeselinin \u00e7ekim a\u015famalar\u0131n\u00addan, \u00e7a\u011fda\u015f T\u00fcrk tiyatrosuna kadar bir\u00e7ok \u00f6nemli konuda a\u00e7\u0131klamalarda bulundu.<\/p>\n

Onun i\u00e7in tiyatro, sadece sahnede ge\u00e7en birka\u00e7 saatten ibaret de\u011fil; hayat\u0131 anlamak ve ak\u00adtarmak ad\u0131na vazge\u00e7ilmez bir anlat\u0131 yolu. Tiyatro arac\u0131l\u0131\u011f\u0131y\u00adla susmay\u0131 reddeden sanat\u00e7\u0131, bireysel ve toplumsal ya\u015fan\u00adm\u0131\u015fl\u0131klar\u0131 sahneden izleyiciy\u00adle bulu\u015ftururken, sahne arka\u00ads\u0131ndaki derinlikleri de s\u00f6yle\u00ad\u015fimizde bizlerle payla\u015ft\u0131.<\/p>\n

Ya\u015fad\u0131klar\u0131m\u0131zdan etkileniyoruz <\/strong><\/h3>\n

Anlatmadan yapamam, dedi\u011finiz \u015feyler nelerdir? <\/strong><\/p>\n

B\u00fct\u00fcn ya\u015fad\u0131klar\u0131m; yani toplum olarak hep birlikte ya\u00ad\u015fad\u0131klar\u0131m\u0131z ve bireysel olarak ya\u015fad\u0131\u011f\u0131m baz\u0131 \u015feyler. Bunlar\u00addan etkilenmemek m\u00fcmk\u00fcn de\u011fil. Bu etkilenmeyi ise seyir\u00adciyle ve topluluklarla payla\u015f\u00admak i\u00e7in benim se\u00e7ti\u011fim yol ti\u00adyatro oldu. Susamazd\u0131m, anlat\u00admadan yapamazd\u0131m.<\/p>\n

Belgeselinizin olu\u015fum a\u015famas\u0131ndaki duygu ve d\u00fc\u00ad\u015f\u00fcncelerinizi \u00f6\u011frenebilir miyiz? <\/strong><\/p>\n

Bu, \u00e7ok zordu. \u00c7\u00fcnk\u00fc mese\u00adle benim biyografimin yap\u0131lma\u00ads\u0131 ya da kendimi anlatmak de\u00ad\u011fil, yapt\u0131\u011f\u0131m i\u015fleri anlatmakt\u0131. Y\u0131llard\u0131r ayn\u0131 \u015feyleri savunuyo\u00adrum; beni yapt\u0131\u011f\u0131m i\u015flerle de\u00ad\u011ferlendirin. Galiba seyirci de beni bu \u015fekilde de\u011ferlendiriyor ve bunun i\u00e7in mutluyum. \u00c7\u00fcnk\u00fc ba\u015fta bu teklif geldi\u011finde, ken\u00addimi anlatman\u0131n \u00f6nemli olma\u00add\u0131\u011f\u0131n\u0131, yapt\u0131\u011f\u0131m \u015feylerin, \u00e7izdi\u00ad\u011fim yolun ve bu yolculu\u011fun da\u00adha \u00f6nemli oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\n

Sizi en \u00e7ok etkileyen ve \u00e7a\u00adl\u0131\u015fmalar\u0131n\u0131z\u0131 besleyen top\u00adlumsal unsurlar neler oldu? <\/strong><\/p>\n

46 y\u0131ld\u0131r \u00e7al\u0131\u015f\u0131yorum, ister istemez her anlatt\u0131\u011f\u0131m konuda kendimden bir par\u00e7a var. Birey olarak etkilendi\u011fim, ezenlerin ve ezilenlerin d\u00fcnyas\u0131n\u0131 anla\u00adt\u0131yorum. Ama her anlamda. Bir baba o\u011ful ili\u015fkisinde de b\u00f6y\u00adle, toplum ili\u015fkisinde de b\u00f6yle, devlet ve millet aras\u0131ndaki ili\u015f\u00adkide de bu b\u00f6yle.<\/p>\n

Bir oyunun ilk provas\u0131nda akt\u00f6rlerle olan etkile\u015fimi\u00adniz nas\u0131l ba\u015flar? <\/strong><\/p>\n

M\u00fckemmel ba\u015flar; \u00e7\u00fcnk\u00fc onlara \u00f6nce hi\u00e7bir \u015fey bilme\u00addi\u011fimi anlatmaya \u00e7al\u0131\u015f\u0131r\u0131m. Di\u011fer yandan, birlikte kura\u00adca\u011f\u0131m\u0131z d\u00fcnyan\u0131n temellerini atmak i\u00e7in yollar arar\u0131m. On\u00adlara her \u015feyi kendilerinin ya\u00adpacaklar\u0131n\u0131, benim sadece t\u00fcm birikimim ve ya\u015fam tec\u00adr\u00fcbemle onlara e\u015flik edebile\u00adce\u011fimi s\u00f6ylerim. Ger\u00e7ekten bunu yapabilmek i\u00e7in de \u00e7ok \u00e7aba g\u00f6steririm.<\/p>\n

T\u00fcrk tiyatrosunun toplum\u00addaki rol\u00fc, siz tiyatroya ba\u015flad\u0131\u00ad\u011f\u0131n\u0131zda nas\u0131ld\u0131 ve \u015fu anda nas\u0131l, de\u011ferlendirir misiniz?<\/strong><\/p>\n

Asl\u0131nda her zaman ayn\u0131. \u0130ki t\u00fcr tiyatro var benim ya\u015fam\u0131m\u00adda. Bir tanesi insanlar\u0131n ho\u015f va\u00adkit ge\u00e7irmesi i\u00e7in yap\u0131lan tiyat\u00adrodur. Buna parantez i\u00e7erisinde ticari tiyatro da diyebiliriz. Bu bir meslektir, ticari olarak ya\u00adp\u0131l\u0131r, para da kazan\u0131l\u0131r. \u0130nsanlar orada iki saat ho\u015f vakit ge\u00e7irir\u00adler. Bir \u015feyler alg\u0131lama, alma gi\u00adbi meseleleri yoktur. Di\u011feri ise benim i\u00e7in kamu tiyatrosudur, ki ben kendimi daha \u00e7ok kamu tiyatrosunda g\u00f6r\u00fcyorum. Bu da, d\u00fcnya ve T\u00fcrk edebiyat\u0131n\u0131 seyirciyle payla\u015fmak ve seyir\u00adcinin salona girdi\u011finden daha farkl\u0131 d\u00fc\u015f\u00fcncelerle \u00e7\u0131kmas\u0131n\u0131 sa\u011flamak anlam\u0131na geliyor.<\/p>\n

‘Tiyatro hi\u00e7bir zaman kaybolmayacak’<\/strong><\/h3>\n

Sizce tiyatro, toplumsal de\u011fi\u015fim\u00adde nas\u0131l bir etkiye sahip olabilir? Bug\u00fcn\u00fcn d\u00fcnyas\u0131nda tiyatronun oynayabilece\u011fi en \u00f6nemli rol nedir? <\/strong><\/p>\n

\u00c7ok g\u00fc\u00e7l\u00fc bir etkiye sahip. Belgeselde de anlatt\u0131m; depremde tiyatro ne i\u015fe ya\u00adrar? \u0130zmit depremi sonras\u0131, \u0130zmit Bele\u00addiyesi \u015eehir Tiyatrosu\u2019ndaki arkada\u015fla\u00adr\u0131mla inan\u0131lmaz \u00e7al\u0131\u015fmalar yapm\u0131\u015ft\u0131k. Depremin ertesinde soka\u011fa \u00e7\u0131k\u0131p \u00e7ad\u0131r\u00adlarda tiyatro yapt\u0131k. Gerek \u00e7ocuk tiyat\u00adrosu gerekse yeti\u015fkin tiyatrolar ile bu i\u00e7inde bulundu\u011fumuz ya\u015fam\u0131 payla\u015f\u00admaya \u00e7al\u0131\u015ft\u0131k b\u00fct\u00fcn seyircilerle. Hatta o d\u00f6nemde uluslararas\u0131 bir toplant\u0131 orga\u00adnize etmek i\u00e7in giri\u015fimde de bulundum.<\/p>\n

Tiyatro d\u00fcnyada her \u015fey. B\u00fct\u00fcn di\u011fer sanat dallar\u0131, \u00f6zellikle sinema, video gibi sanat dallar\u0131 yava\u015f yava\u015f kaybolacaksa, tiyatronun hi\u00e7bir zaman kaybolmayaca\u00ad\u011f\u0131na, hep anlataca\u011f\u0131na, akt\u00f6r ve seyirci\u00adnin hep ayn\u0131 havay\u0131 soluyaca\u011f\u0131na inan\u0131\u00adyorum. Buradan da yola \u00e7\u0131karak s\u00fcrekli birlikte y\u00fcr\u00fcnebilece\u011fine inan\u0131yorum.<\/p>\n

\u00c7a\u011fda\u015f T\u00fcrk tiyatrosu konusun\u00addaki d\u00fc\u015f\u00fcncelerinizi \u00f6\u011frenebilir miyiz? <\/strong><\/p>\n

\u00c7a\u011fda\u015f T\u00fcrk tiyatrosu ne yaz\u0131k ki \u00e7ok zorla\u015ft\u0131. Buna \u00e7a\u011fda\u015f ad\u0131 vermemek, bu\u00adna bir bozulma demek daha do\u011fru olur. \u00c7\u00fcnk\u00fc son d\u00f6nemde bakt\u0131\u011f\u0131m\u0131z zaman, merdiven alt\u0131 diye tabir etti\u011fimiz 40-50 ki\u015filik tiyatrolarda, gen\u00e7ler hissettikle\u00adrini anlatmaya, payla\u015fmaya \u00e7al\u0131\u015f\u0131yorlar. Ama di\u011fer oyunlarda g\u00f6r\u00fcyoruz ki olay art\u0131k yazar veya metin de\u011fil, televizyon\u00adlarda g\u00f6r\u00fcnen akt\u00f6rlerle ayn\u0131 yerde bu\u00adlunabilmek, onlarla foto\u011fraf \u00e7ektirmek ve medyada bunlar\u0131 yay\u0131nlamak, seyir\u00adcinin de \u00e7o\u011funun amac\u0131 bu. Elbette is\u00adtisnalar kaideyi bozmaz, hala ger\u00e7ek ti\u00adyatroyu g\u00f6rmek i\u00e7in salonlar\u0131 dolduran seyircilerimiz de var.<\/p>\n

Kariyeriniz boyunca sizi en \u00e7ok \u015fekillendiren \u015feyler neler oldu? <\/strong><\/p>\n

Yapt\u0131\u011f\u0131m oyunlarla neredeyse t\u00fcm d\u00fcnyay\u0131 dola\u015ft\u0131m. Kuzey Afrika, \u00c7in. Avrupa\u2019y\u0131 zaten saym\u0131yorum. Oralar\u00adda \u00e7ok \u015fey g\u00f6rd\u00fcm, \u00f6\u011frendim. Bir de en \u00f6nemlisi \u00e7ok \u00f6nemli ustalarla tan\u0131\u015ft\u0131m, genellikle tiyatro y\u00f6netmenleri ama ay\u00adn\u0131 zamanda hepsi birer \u015fair hepsi birer yol g\u00f6stericiydi. Ya\u015fam bi\u00e7imleri vas\u0131ta\u00ads\u0131yla onlarla \u00e7ok i\u00e7 i\u00e7e oldum ve elbette onlardan \u00e7ok etkilendim.<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

G\u00fcnay DEM\u0130RBA\u011e 46 y\u0131l\u0131 a\u015fk\u0131n tiyatro kari\u00adyeriyle T\u00fcrkiye\u2019de sah\u00adne sanatlar\u0131n\u0131n \u00f6nemli isimlerinden biri olan \u00fcnl\u00fc ti\u00adyatro y\u00f6netmeni ve oyuncusu I\u015f\u0131l Kasapo\u011flu\u2019nun sanat ha\u00adyat\u0131 Anlatmadan Yapamam adl\u0131 belgeselde yer ald\u0131. Tiyat\u00adroyu, toplumsal meselelerin derinlemesine i\u015flendi\u011fi bir alan olarak g\u00f6ren sanat\u00e7\u0131, bel\u00adgeselinin \u00e7ekim a\u015famalar\u0131n\u00addan, \u00e7a\u011fda\u015f T\u00fcrk tiyatrosuna kadar bir\u00e7ok \u00f6nemli konuda a\u00e7\u0131klamalarda bulundu. Onun i\u00e7in tiyatro, sadece<\/p>\n","protected":false},"author":1,"featured_media":63547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83],"tags":[],"class_list":["post-63546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin"],"yoast_head":"\nKasapo\u011flu: \u00c7a\u011fda\u015f T\u00fcrk tiyatrosu ne yaz\u0131k ki \u00e7ok zorla\u015ft\u0131 -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kibrisdakik.com\/?p=63546\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kasapo\u011flu: \u00c7a\u011fda\u015f T\u00fcrk tiyatrosu ne yaz\u0131k ki \u00e7ok zorla\u015ft\u0131 -\" \/>\n<meta property=\"og:description\" content=\"G\u00fcnay DEM\u0130RBA\u011e 46 y\u0131l\u0131 a\u015fk\u0131n tiyatro kari\u00adyeriyle T\u00fcrkiye\u2019de sah\u00adne sanatlar\u0131n\u0131n \u00f6nemli isimlerinden biri olan \u00fcnl\u00fc ti\u00adyatro y\u00f6netmeni ve oyuncusu I\u015f\u0131l Kasapo\u011flu\u2019nun sanat ha\u00adyat\u0131 Anlatmadan Yapamam adl\u0131 belgeselde yer ald\u0131. Tiyat\u00adroyu, toplumsal meselelerin derinlemesine i\u015flendi\u011fi bir alan olarak g\u00f6ren sanat\u00e7\u0131, bel\u00adgeselinin \u00e7ekim a\u015famalar\u0131n\u00addan, \u00e7a\u011fda\u015f T\u00fcrk tiyatrosuna kadar bir\u00e7ok \u00f6nemli konuda a\u00e7\u0131klamalarda bulundu. 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